Cambridge Sculpture Trails

Trail 1

South Cambridge

Trail 1 begins at one of the gateways to Cambridge - the Railway Station. Although part of your walk is through busy streets, you will have the opportunity to see how sculpture can enhance an urban setting. From an evocative War Memorial to powerful abstract works, this trail leads you on a fascinating journey through the south side of the city, encountering two of Cambridge's most famous and interesting landmarks – the Fitzwilliam Museum and the Scott Polar Research Institute. You will also pass the large open grass space known as Parker's Piece. This walk will take approximately two hours to complete. There are plenty of cafes, restaurants and pubs en route.


Artist unknown - Ceres

1: Artist unknown

Ceres – goddess of corn

Cement finished in bronze

Station Road. Commissioned by Spillers Corn Merchants in the 1930s. Sculptor probably influenced by Epstein and European Expressionism. (At present in storage awaiting re-development of the railway station site).


R. Tait Mackenzie - Coming Home

2: R. Tait Mackenzie

War Memorial ‘Coming Home’ 1922

Bronze

Hills Road – junction with Station Road. Statue of a young soldier returning home, head turned back towards the Railway Station.

R. Tait Mackenzie (1867-1938) was born in Canada and trained as a doctor. He served in World War 1 as a Major in the Royal Army Medical Corps. He became a sculptor later in life, specialising in figures of athletes. He was a friend of the academics who commissioned the piece.

www.roll-of-honour.com/cambridgeshire/cambridgecominghome.html


Artist unknown - Kett's Oak

3: Artist unknown

Kett's Oak 1962-3

Sandstone bas-relief

Corner of Station Road. Kett's Oak (Norfolk) where, in 1549, the rebel Robert Kett met with his followers and began an abortive attempt to seize the city of Norwich from the Crown.


Helaine Blumenfeld  Chauvinist 1990

4: Helaine Blumenfeld

Chauvinist 1990

Norwegian blue granite sculpture on brick base

Hills Road – junction with Brooklands Avenue. Commissioned by Gredley Property Developments.

Helaine Blumenfeld (b 1940) is an American sculptor, who works in a wide variety of materials, including marble, terracotta and bronze. There is an abstract and organic quality about her sculpture. She now lives near Cambridge and there are other pieces of her sculpture around the city including Flame 2004 which can be seen on Trail 2, No 18.

www.helaineblumenfeld.com


Eric Sorenson (architect)  Crystalline design 1992

5: Eric Sorenson (architect)

Crystalline design 1992

Glass

Cambridge Crystallographic Data Centre, Union Road. The glass refers to the building's use.

Originally intended as the background to a bronze motif, this panel of blue and clear glass fragments is an interesting feature in its own right.  The architect, Eric Sorenson (b1922) is well known in his native Denmark.

www.ccdc.cam.ac.uk


Lady Kathleen Scott  Head of Robert Falcon Scott 1934

6: Lady Kathleen Scott

Head of Robert Falcon Scott 1934

Bronze

Scott Polar Research Institute, Lensfield Road. Seen above the main door, this bust of Scott of the Antarctic was commissioned by the building's architect, Sir Herbert Baker.

Lady Kathleen Scott (1878-1947) attended the Slade School of Fine Art, London, and worked for a time in Paris where she was befriended by Rodin. She sculpted at least two statues of her first husband, the Antarctic explorer Robert Falcon Scott – one is now in London and the other in Christchurch, New Zealand.

www.spri.cam.ac.uk


Lady Kathleen Scott  Youth 1920

7: Lady Kathleen Scott

Youth 1920

Bronze

Scott Polar Research Institute, Lensfield Road. Inscribed at base 'Lux Perpetua Luceat eis' (tr. 'May perpetual light shine upon them').

Lady Kathleen Scott (1878-1947) attended the Slade School of Fine Art, London, and worked for a time in Paris where she was befriended by Rodin.  The model for ‘Youth’ was the younger brother of T.E. Lawrence – Lawrence of Arabia.

www.spri.cam.ac.uk


'Inukshuk' meaning  'Cairn in the shape of a man'  Installed 1979

8: Unkown Sculptor(s)

'Inukshuk' meaning 'Cairn in the shape of a man'

Installed 1979
Stone

Scott Polar Research Institute, Lensfield Road. This was built by Inuits to guide caribou and comes from Baffin Island, Canada.

www.spri.cam.ac.uk


Kenneth Martin  Abstract 1967

9: Kenneth Martin

Construction in Aluminium 1967

Aluminium on Portland stone base.

Trumpington Street. Representing a formula for a helical screw propeller, this piece was constructed with the help of the Engineering Department's workshops.

Kenneth Martin (1905–1984) was an English painter and sculptor, who together with his wife Mary Martin and Victor Pasmore, was a leading figure in the revival of Constructivism in the 1940s. An exhibition of Kenneth and Mary Martin’s work was held at Tate St Ives in 2007. Kettle’s Yard (Cambridge) has also recently held an exhibition of their work.

www.artcyclopedia.com/artists/martin_kenneth.html


Fitzwilliam Museum

10: Fitzwilliam Museum

Trumpington Street. Halfway through the walk, by Sculpture 9, is the Fitzwilliam Museum. Here, on the front lawn there is an exhibition of contemporary sculpture which will change each Spring.

www.rbs.org.uk

www.fitzmuseum.cam.ac.uk


Tessa Pullan  Untitled 1977

11: Tessa Pullan

Untitled 1977

Bronze

Corner of Regent Street and Gonville Place. Lloyds TSB Bank (side elevation).

Tessa Pullan (b 1953) is one of the country’s leading animal sculptors, working in bronze and wood. She served a three year apprenticeship in France with the artist and sculptor John Skeaping.  There are examples of her work in the Fitzwilliam Museum and in the New Hall Art Collection at Murray Edwards College.

www.tessapullan.co.uk


Matthew Lane Sanderson  Grasshopper 2006

12: Matthew Lane Sanderson

Grasshopper 2006

Steel

The Greshams, Gonville Place – facing Parker’s Piece. A grasshopper was the heraldic device adopted by two successful Tudor merchants, Sir Thomas and Sir John Gresham, to signify their rapid rise from modest rural origins.

Matthew Lane Sanderson (b 1973) is a Cambridge sculptor who specializes in metalwork with natural and organic themes.  He also designed and constructed the Chronophage (grasshopper) on the Corpus clock 2008, to be seen on Trail 2, No. 4. Another sculpture, Beserk 2009, a life-size cast of the artist in cold cast iron, is on temporary loan to CSVPA for its Bridge Street site.  View by standing opposite the Round Church and looking left towards the skyline.

www.sanderson-sculpture.com


Esther Joseph  The Diver 1990

13: Esther Joseph

The Diver 1990

Bronze

Parkside Swimming Pool – inside main entrance.

Esther Joseph is a Cambridge-based sculptor who believes that sculpture needs to be touched as well as seen for its impact to be fully appreciated. Movement and the expressions of emotion present in the human form are important to her, whether she is creating figurative or abstract work.

www.estherstudio.com


John Mills (from the design by Betty Rea)  The Swimmers 1966

14: Betty Rea (completed after her death by John Mills)

The Swimmers 1966

Bronze

Parkside Swimming Pool – Mill Road side.

Betty Rea (1904-1965) was involved in international socialism and was passionate about the welfare of children. For many years she taught sculpture at Homerton College, Cambridge, and her work can be found in many Local Education Authority buildings, Teacher Training colleges and Homerton College Cambridge.  Her archive is held at the Henry Moore Foundation.

www.henry-moore-fdn.co.uk


Colin Rose  Two Elements Uniting to Form a Contract 2005

15: Colin Rose

Two Elements Uniting to Form a Contract 2005

Stainless steel

East Road. County Court Building.

Colin Rose (b 1950) often uses trees as sites in which to place his sculpture. Landscape and harmony with the elements are very important to him.

www.sculpture.org.uk/biography/colinrose/


Peter Logan  Moonstone, Arrows and Obelisk 1990s

16: Peter Logan

Moonstone, Arrows and Obelisk 1990s

Stainless steel kinetic mobile

Grafton Centre, East Road.

Peter Logan (b 1943) has constructed ‘Kinetic’ sculpture since 1965 – his early pieces powered by electricity.  Since 1978 he has worked on outdoor sculpture using wind power – the character, direction and strength of the wind determining movement.

www.sculpture.org.uk/artists/PeterLogan/