Trail 3
West Cambridge
Trail 3 is an attractive and tranquil walk that provides the delightful experience of viewing sculpture within several college gardens where the settings change with the passing seasons. This West Cambridge walk may be accessed from the Madingley Road Park & Ride buses that also connect to the city centre. There are no refreshments available en-route. Starting at Churchill College the walk takes approximately two hours as it continues to Trinity Hall’s Wychfield Site followed by Murray Edwards College. It ends at the Isaac Newton Institute for Mathematical Sciences in Clarkson Road with its impressive ‘Universe’ series of three steel sculptures.
Churchill College
Storey’s Way
Tel: 01223 336000
www.chu.cam.ac.uk
Entry may be restricted during exams mid April – mid June. Start at Porters’ Lodge and collect a map – leave by Churchill Road, continue along Storey’s Way to Trinity Hall, Wychfied Site.
1: Lynn Chadwick
Beast Alerted 1 1990
Stainless steel
Lynn Chadwick (1914-2003) had a working background in architectural draughtsmanship before turning to sculpture. His early sculptures were constructions of hanging or standing mobiles using technical experimentation with metal rods and developing his expertise as a welder. Chadwick’s human and animal forms often portray basic emotions such as aggression, fear and watchfulness, with his later work becoming more humorous. Acclaimed internationally his works are held in public collections worldwide.
2: Dhruva Mistry
Diagram of an Object, Variation (second state) 1990
Bronze
Dhruva Mistry (b 1957) was born and educated in India, returning in 1997 to live and work in Gujarat. A British Council Scholarship to take a MA in sculpture at the Royal College of Art brought him to Britain. He was Artist in Residence at Kettle’s Yard with a Fellowship at Churchill College (1984-1985). Hinduism, Buddhism, West Egyptian and Cycladic Art, together with European traditions of figurative sculpture, influence his work. Internationally shown in group exhibitions, his work is also held in public collections in U.K, Japan and India.
Mistry says of this work “it is a structured puzzle about how the eye sees the object and how the mind prefers to perceive it”.
3: Bernard Meadows
Pointing Figure with Child 1966
Bronze
Bernard Meadows (1915-2005) was a studio assistant to Henry Moore when young, returning to work with Moore in the late1970s. His work is mainly in bronze and although abstract is often based on animal and plant forms suggesting human characteristics. His early pieces related to fear and defence as part of the human condition in the wake of World War II and the Cold War that followed. Meadows developed an interest in finishes, and in this sculpture he used different degrees of polishing adding light and contrast in order to accentuate a shape within the overall form.
www.sculpture.org.uk/artists/BernardMeadows
4: Sean Crampton
Three Figures 1970
Bronze
Sean Crampton (1918-1999) started a career as a silversmith before studying sculpture at Fernand Leger’s studio in Paris. After distinguished service in World War ll he created a war memorial for his own regiment. He produced large works for civic organisations, typically colleges, churches and convents. History, mythology, and spiritual matters were subjects of interest to him and he favoured working in bronze and welded phosphor bronze.
www.guardian.co.uk/news/1999/aug/19/guardianobituaries1
5: Peter Lyon
Flight 1981
Bronze
Peter Lyon (1926-2002) was a Fellow Commoner in the Arts at Churchill College 1979-1981. This work was commissioned by the Roskill family to commemorate Captain Roskill, a Fellow of Churchill. In addition to sculpture Lyon also made jewellery and was a senior lecturer in jewellery design at Central St. Martins College of Art and Design.
6: Michael Dan Archer
To Boullée 1993
Granite
Michael Dan Archer (b 1955) made this work in homage to the French visionary architect, Boullée. Physical transformation through the working and grinding of stone and psychological transformation as evoked by symbolic imagery are key to Archer’s purpose.
Another sculpture by the same artist, Dream is at the Wychfield Site also features at No 11 on this Trail. A third work by Michael Dan Archer, Gog and Magog 2003, cast iron and granite, can be seen outside Eastbrook, the Government buildings, Shaftesbury Road on weekdays only.
7: Dame Barbara Hepworth
Four Square Walk Through 1966
Bronze
Barbara Hepworth (1903-1975) received academic and national honours; exhibited around the world and was made a Dame of the British Empire in 1965. She was part of the St. Ives group of artists and while in Paris, met Picasso, Brancusi and Mondrian. A commitment to abstract art led to her interest in geometric abstraction. Later she created models for casting in bronze, the sculptures growing in scale as can be seen at her garden museum in St Ives.
Another sculpture by Barbara Hepworth, Ascending Form (Gloria) at Murray Edwards College is at No 16 on this Trail.
Divided Circle 1969 by Barbara Hepworth at Clare College can be seen on Trail 2, No 14.
www.tate.org.uk/stives/hepworth
8: Michael Gillespie
Spiral 1991
Cement with resin skin
Michael Gillespie (b 1929) made small casts for Epstein and later for Frink. His work has become increasingly abstract following his “listening” to shapes. He says “... the sculptures must speak for themselves, as is proper”.
http://freespace.virgin.net/mn.gillespie/
9: Denis Mitchell
Gemini 1973
Marble
Denis Mitchell (1912-1993) worked as a tin miner near Land’s End when young and then again during the war, leading to his interest in hewing, carving and handling tools. After the war he became integral to the St Ives group of artists. He was Barbara Hepworth’s chief assistant, later becoming a teacher until he gave up work to sculpt full time. He was a founder member of the Penwith Society of the Arts and he also founded Porthia Textile Prints.
www.sculpture.uk.com/artists/denis_mitchell/
Trinity Hall, Wychfield Site
Storey’s Way
Tel: 01223 339029 (Wychfield Site)
Tel: 01223 332500 (Trinity Hall)
www.trinhall.cam.ac.uk
Entry is through the Porters’ Lodge, Storey’s Way. To continue the walk to Murray Edwards College, Huntingdon Road leave via green gate (exit only) onto Huntington Road.
10: Jonathan Clarke
Twelve 2006
Cast and welded aluminium
Jonathan Clarke (b 1961) works primarily in sand and cast aluminium. This work is a unique piece using expanded polystyrene that is vaporised in the process of creation. Clarke uses the technique originally developed by his father.
11: Michael Dan Archer
Dream 2002
Chinese granite
Michael Dan Archer (b 1955) is noted for his use of the physicality of stone in relation to architecture and landscape. He created this work after a dream brought him inspiration.
Another sculpture by the same artist, To Boullée, is at Churchill College, No 6 on this Trail. A third work by Michael Dan Archer, Gog and Magog 2003, cast iron and granite, can be seen outside Eastbrook, the Government Buildings, Shaftesbury Road on weekdays only.
Murray Edwards College (formerly New Hall)
Huntingdon Road
Tel: 01223 762100
www.art.newhall.cam.ac.uk
Enter via Huntingdon Road. It is essential to report to the Porters’ Lodge. Exit via Storey’s Way to continue to Clarkson Road by footpath from Madingley Road.
12: Vicki Olverson
Turkhana Woman with Fish 2004
Painted papier mâché
13: Annie Collard
Festive Feeling 1988
Painted steel
Annie Collard (b 1946) says of this work, “… the coils were inspired by the tension of an athlete about to spring away from the starting block”. Her aim was to create a delicate form from a hard and durable material. She has made larger-scale sculptures for corporate collections.
14: Judith Cowan
Nothing Lasts Forever 1989
Corten steel, stainless steel and gneiss
The artist says of this sculpture “the domestic vocabulary of the work encourages daydreams. Here, the vast apparently falling bucket invites childhood fantasies as you stare into its interior”. Further explanation of this work is in the virtual gallery section of the art collection at Murray Edwards College - see website below.
Another sculpture by the same artist, Skin and Blister, is also at Murray Edwards College, No 17.
15: Wendy Taylor
Three Dung Beetles 2000
Bronze
Wendy Taylor (b 1945) has two distinct strands to her work; large abstract pieces that appear to be in precarious balance and drawings and sculptures of animals and insects, anatomically correct and realised in minute detail. Her commissioned sculpture can be seen in public places throughout Britain.
Another sculpture by the same artist, Jester 1994, at Emmanuel College features on Trail 2, No 9.
www.wendytaylorsculpture.co.uk
16: Barbara Hepworth
Ascending Form (Gloria) 1958
Bronze
Barbara Hepworth (1903-1975) was inspired by music to produce this work following her friendship with the composer Priaulx Rainier. Hepworth was the first sculptor noted for piercing her work to create a hole, resulting in a positive and a negative space in the form. A garden museum of her work may be visited in St Ives, Cornwall where she lived amongst a group of artists, her work often relating to the coast and landscape.
Another sculpture by the same artist, Four Square Walk Through is at Churchill College, No 7 on this Trail. Also, Divided Circle 1969 by Barbara Hepworth at Clare College features in Trial 2, No 14.
www.tate.org.uk/stives/hepworth
17: Judith Cowan
Skin and Blister 1988
Aluminium and Cement
Judith Cowan’s forms are often taken from domestic objects. In her words, “… their physical and mental presence creates a sense of place and daydreams from where we are invited to inhabit the work”. A full explanation of this work is found in the virtual gallery section of the art collection at Murray Edwards College - see website below.
Another sculpture by the same artist, Nothing Lasts Forever is also at Murray Edwards College, No 14.
18: Christine Fox
Gathering of Owls IV 1989
Painted engraved slate on aphrormosia
Christine Fox (b 1922) chose to locate her sculpture on the site of the former aviary of the Darwin family. The piece is representative of Fox’s use of organic materials to suit the nature of the subject and its environment. Ancient Welsh roofing slates were patinated and engraved with symbols of mazes and spirals to represent the importance of owls in antiquity and pre-Christian belief.
19: Austin Wright
Plantation 1976
Aluminium
Austin Wright (1911-1997) had links with science and with botany, thus his work was often based on plant forms and their interior structure. In this sculpture the placing of different forms creates a total work where both the positive shapes and the negative shapes are visually meaningful.
www.hartgallery.co.uk/artists/wright/
Isaac Newton Institute
20 Clarkson Road
www.newton.cam.ac.uk
View sculptures from the road.
John Robinson
The Universe Series
Three sculptures based on the Borromean Rings, an emblem of the Borromeo family in Renaissance Italy. Each sculpture has three interlocking shapes, no two of which are linked. Robinson brings together art and mathematics.
John Robinson (1935-2007) is quoted below.
20: Genesis 1995
Stainless steel
“The never ending renewal of life”. “….the rhombus is thought to be the Celtic fertility symbol… each rhombus is giving birth to a rhombus, as it is being born itself”.
21: Intuition 1993
Stainless steel
“…for me it represents a knotted core of stability of knowledge within the centre of which comes sparks of originality and invention, often for no apparent reason”.
22: Creation 1991
Stainless steel
“The square was the Chinese symbol for Earth. For the Zoroastrians the square symbolised the Earth as four winds”.
Another sculpture by John Robinson, Pulse 2001, stainless steel, can be seen at the Institute of Astronomy, Madingley Road, adjoining the grounds of Churchill College. The main entrance is off Madingley Road. In summer the Institute of Astronomy holds an annual sculpture exhibition in conjunction with Anglia Ruskin University.
Some ARU works are retained on site, for example, Prometheus 2002, painted aluminium, by James Atkinson.
Tel: 01223 337548
Please note:
- Many sculptures are located in college grounds where public access may be restricted in the pre-examination season, mid April – mid June. There are other occasions when colleges may be temporarily closed so it is advisable to telephone the Porters’ Lodge prior to your visit.
- Group visits should be arranged with Colleges in advance.
- Dogs are not permitted in college grounds.
- Children must be accompanied by an adult.
- Collections change periodically. A number of sculptures are on loan so some works shown in the leaflet may not be in place.